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[MacProVideo] Studio & Recording Composing For Commercials [2011, ENG]
| 07.07.2014, 19:48 | |
 [MacProVideo] Studio & Recording Composing For Commercials [2011, ENG] Год выпуска: 2011 Производитель: MacProVideo Сайт производителя: www.macprovideo.com/tutorial/studio-and-recording-composing-for-commercials Автор: Gregg Fine Продолжительность: 02:11:46 Тип раздаваемого материала: Видеоурок Язык: Английский Размер: 313 MB Изучите технику, которую используют успешные композиторы, чтобы создавать свои 30-ти секундные шедевры, и как они прокладывают свой путь через сложный мир создания музыки для рекламных роликов Чтобы сочинять музыку для рекламных роликов вы должны знать много о музыке. Это данность. Также это только начало. Вы также должны понимать, как работает реклама и как она научно разработывается, чтобы мотивировать нас тратить наши с трудом заработанные деньги. Рекламодатели знают, как использовать силу музыки и использовать ее в своих интересах! Learn the techniques that successful “spot” composers use to compose their 30-second masterpieces as they conduct their way through the complex world of creating music for commercials... To compose music for commercials you need to know a lot about music. That’s a given. It’s also just the beginning. You see, you also need to understand how advertising works and how it’s scientifically designed to motivate us to feel good about spending our hard-earned money. That’s where the music comes in. Music is all about creating feeling. Advertisers know how to harness the power of music and use it to their advantage! The question is: Do you know how to deliver the goods?! You will, because in this fun, 60s stylized, animated tutorial romp, veteran jingle writer Gregg Fine explains everthing you need to know to begin a career as a commercial composer. First you’ll learn about the history of commercials and jingles. Then Gregg explains the inner workings of ad agencies and the different ways you, the professional composer, can interface with them. He then examines the “must-have” skills that spot composers use to create their short-form scores. From there he’s off to the actual spots and what makes them work, how they’re constructed, and talks about the different kinds of spots! Then we take a look at the process: the briefs, storyboards and the video. Gregg also explains the pitfalls of the Temp Track and the syndrome called Demo Love and how to deal with the very real expectations of your ad agency clients. Finally, Gregg takes us through the compositional process. Along the way you’ll learn how to build effective tracks and, at the same time, create catchy Ear Candy, construct solid Transitions and effective Tags. This tutorial, created using Logic Pro, is a deep look at all the tools a composer must have in their toolkit to compete in the world of spots and jingles. So join Gregg Fine as he explains the fundamentals of this exciting and potentially lucrative craft: “Composing For Commercials.” Содержание 01 Introducing "Spots" (07:00) 02 Art+Commerce (04:15) 03 History of Music for Spots (08:14) 04 How the Industry Works (08:41) 05 Skills of the Spot Composer (07:58) 06 Spot Structures (04:01) 07 Spot Genres and Styles (05:07) 08 Spot Endings (04:52) 09 The 2-Pop (05:06) 10 The Video Reel (05:47) 11 Getting the Materials (03:07) 12 The Brief (03:12) 13 The Storyboard (03:58) 14 The Movie and VO Split (02:36) 15 The Temp Track (07:51) 16 Demo Love (03:21) 17 Creating the Arrangement (05:15) 18 Scoring the Intro (07:11) 19 Composing the Track (03:13) 20 Adding the Instruments (09:22) 21 Creating the Transition (02:35) 22 Ear Candy (04:09) 23 The Tag (02:13) 24 Checking the Mix (06:23) 25 Organizing and Archiving (01:36) 26 Splits and Alt. Mixes (03:32) 27 Conclusion (01:00) 
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