| Главная » Обучение » Видеоуроки на английском |
[Music-Courses.com] Dubstep Bass Production in Logic (Part 2) [2013, ENG] - видеоуроки на английском
| 10.11.2014, 18:42 | |
 [Music-Courses.com] Dubstep Bass Production in Logic (Part 2) [2013, ENG] Год выпуска: 2013 Производитель: Music-Courses.com Сайт производителя: www.music-courses.com/product.asp?P_ID=205 Автор: FracTroniX Продолжительность: 01:30:00 Тип раздаваемого материала: Видеоурок Файлы примеров: присутствуют Формат видео: FLV Видео: AVC, 1278x720, 16:9, ~ fps, 450 Kbps Аудио: AAC, 48.0 KHz, 96 Kbps, 2 channels Язык: Английский Размер: 2.03 GB FRACTRONIX DUBSTEP PRODUCTION PART 2 - CREATING TWISTED BASS Если вы являетесь владельцем Logic Pro и вы хотите знать, как продюсировать дабстеп или аналогичные тяжелые, жесткие ударные стили музыки, то этот курс для Вас! Курс разделен на 4 части, и каждая часть посвящена разным областям производства. В этой части раскрываются секреты создания тяжеловесных витиеватых басовых линий. Содержание 1. Module 1 - Creating Bass Patches with ES2 This lesson gives an overview of ES2, showing how it can be used to create some simple but fat-sounding bass patches on multiple tracks, including the reese bass, fat square and band-pass square. 2. Module 2 - Advanced Bass Patch Editing with ES2 This lesson gets more technical with each of the patches, setting up some interesting modulation of the filters and pitch, to provide even more variation to each of the bass sounds. A wobble performance preset is made out of the fat square patch, the reese patch is modulated by an LFO with changing rate to create a 'shakedown' preset, and a more human-sounding 'talking' bitcrushed bass is constructed by modulating the blend of digital waveforms on ES2. 3. Module 3 - Sequencing the Bass This module shows how the bassline is created by playing and drawing in MIDI regions for each of the bass parts and then editing them in various ways to create a gnarly sequence. Automated filter sweeps and pitch slides are added and the mix is enhanced through the addition of bus compression and distortion effects. 4. Module 4 - Mixing and Processing the Bass This lesson teaches how to improve the mix, by making adjustments to the levels and frequencies in each bass part using EQ and sidechain compression, as well as closely examining the stereo width. Then, further processing is applied to individual bass frequency bands, through more stereo imaging and a reverb send effect. Finally, a sub bass track is added to fatten up the bottom end. 
| |
| Просмотров: 1357 | Загрузок: 199 | | |
Похожие материалы
| Всего комментариев: 0 | |