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[Lynda.com] Live Sound Engineering Techniques On Tour with Rush [2013, ENG]
| 18.05.2014, 23:14 | |
 [Lynda.com] Live Sound Engineering Techniques On Tour with Rush [2013, ENG] Год выпуска: 2013 Производитель: Lynda.com Сайт производителя: -www.lynda.com/Audio-Audio-Engineering-tutorials/Live-Sound-Engineering-Techniques-Tour-Rush/142975-2.html Автор: Brent Carpenter Продолжительность: 01:18:00 Файлы примеров: не предусмотрены Формат видео: MP4 Видео: AVC, 960x540, 16:9, 23.976 fps, ~1 460 Kbps Аудио: AAC, 48.0 KHz, ~160 Kbps, 2 channels Тип раздаваемого материала: Видеоурок Язык: Английский Размер: 1024 MB Следуйте вместе с Brent Carpenter в туре с Rush, где он продемонстрирует, каково это быть инженером живого звука в крупном рок-шоу. Мы будем тенью Брента и звукового экипажа Rush, когда они готовятся к шоу в Денвере, штат Колорадо, в рамках их тура Clockwork Angels, где группа будет выступать перед 12000 фанов. Follow along with Brent Carpenter on tour with Rush, as he demonstrates what it is like to be a live sound engineer for a major rock show. We shadow Brent and the Rush sound crew as they prepare for the Denver, Colorado, show on their Clockwork Angels tour, where the band is set to perform for 12,000 fans. After the gear is loaded into the venue, Brent explains how he and the crew set up the rigging, amp racks, and fly the speaker arrays to make sure well-balanced stereo sound reaches every seat in the arena. He also shows how he sets up his console to mix the onstage sound for Geddy Lee, Alex Lifeson, and Neil Peart and configures the in-ear monitor system and balance of audience mics for each member of the band. Then we get to sit backstage with Brent and watch what he does during line check, sound check, and the actual show. After the fans file out, see how all the equipment comes back down and is packed away so the cycle can start all over in the next city. Topics include: • Choosing the PA for the venue • Setting up points, motors and cables, and trusses • Getting the best use of both analog and digital signal paths • How Rush gets that Geddy, Alex, and Neil live sound • Setting up the digital monitor mix console • Doing the line check and sound check • Using audience microphones to connect the band to their fans • Getting even coverage in a large arena • Working the monitor console and the power of snapshots • Loading out of the venue Содержание 0. Introduction 1m 7s Welcome 1m 7s 1. Setting Up the Sound System 20m 52s Starting the day with the big picture 1m 7s Choosing the right PA for the venue 1m 24s Unloading the trucks and load-in 1m 6s Audio rigging: Points 50s Audio rigging: Motors and cables 4m 30s Audio rigging: Trusses 1m 1s Amplifier racks 2m 10s The best combination of analog and digital signal paths 38s Audio rigging: Feeder and power 2m 16s Flying the PA speaker arrays 3m 56s Discussing the advantages of subwoofers and front-fill speakers 1m 4s Where's the best place to sit at the venue? 50s 2. The Onstage Monitor Mix 25m 13s Monitor world: Setting up at the monitor engineer's position 3m 19s Preparing the wireless in-ear monitors for the band 1m 19s Scanning frequencies and configuring the RF antenna for wireless in-ear monitors 5m 20s Real-world example: Getting a basic monitor mix for different band members 7m 39s Line check overview: Making sure every line sounds as expected 56s Sound check from the monitor position 58s Monitor mix snapshots for the live performance 4m 10s Communicating with Geddy, Alex, and Neil during the show 1m 32s 3. The Clockwork Angels Stage Tour 18m 26s Guitar world: Getting the Alex Lifeson guitar sound 3m 56s Guitar world: Alex Lifeson's guitars 1m 36s Triggering offstage samples with MIDI pedals 40s Alex Lifeson's stage position 42s Placing microphones on Neil Peart's drums and the rotating riser 5m 29s Geddy Lee's stage position: Vocals, bass, and keyboards 57s Bass world: Getting Geddy Lee's bass sound 41s Using audience microphones to connect the band to their fans 2m 6s Getting a great isolated sound from the string section 2m 19s 4. Front-of-House Sound 10m 42s Turning on the PA for the first time 2m 14s Mixing live sound for front of house 5m 20s Achieving even sound coverage in a large arena and adjusting for pockets of frequency buildup 1m 50s Sound pressure level (SPL), loudness, and ear fatigue 1m 18s 5. When the Band Hits the Stage 1m 3s What does the monitor engineer do during the show? 1m 3s 6. Load-out 1m 22s Loading out of the venue 36s Conclusion 46s 
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